Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Sunday, 13 January 2013

50 Shades

50 Shades: Jack Nicholson wears Ray-Ban Aviator. Photo Giribaldi/Gamma-Rapho via Getty Images 50 Shades - Audrey Hepburn wears Oliver Goldsmith Manhattan. Photo: Keystone/Getty images 50 Shades - Diana Ross: Larry Ellis/Express/Getty Images 50 Shades - Bob Dylan: Jan Persson/Redferns 50 Shades - Robert Redford wears Ray-Ban Aviator. Photo: Ron Galella/WireImage

If you thought I was going to do a post with 50 sunglasses in it, you're wrong – that'd take forever! Or if you thinking I'm in any way interested that book, you're mistaken.This is a book review, a short one, for 50 Shadesby Lauren Goldstein Crowe.

A super tome it is too; said number of sunglasses on the likes of (top-to-bottom) Jack Nicholson, Audrey Hepburn, Diana Ross, Bob Dylan, Robert Redford, John Lennon and other massive stars. Each great photograph is accompanied by a quote, sometimes glasses related, from the shades-wearer. It's a book led by its amazing photography, capturing the stars perfectly, but the selection of sunglasses features prominently, even if the frames are mainly unidentified. Those that are attributed to their designers are Ray-Ban, Oliver Goldsmith and Persol. A few others I believe I know include Neostyle on Elvis Presley, Francois Pinton on Jackie Kennedy Onassis, but I can't be entirely sure.

My favourite sunglasses featured in the book are worn by Carole Lombard, not sure who they're by; and perhaps the best quote is, "With my sunglasses on I'm Jack Nicholson. Without them I'm fat and 60."

Hover over images for photo credits, or see below. 50 Shades is available direct from Reel Art Press. More good glasses books here.

50 Shades - John Lennon. Photo: Robert Whitaker/Getty Images


Photo credits – Audrey Hepburn: Keystone/Getty Images / Bob Dylan: Jan Persson/Redferns / Diana Ross: Larry Ellis/Express/Getty Images / Jack Nicholson: Giribaldi/Gamma-Rapho via Getty Images / John Lennon: Robert Whitaker/Getty Images.

Saturday, 12 November 2011

Eyewear: A Visual History - another optical opus reviewed

A model with the latest styles of spectacles, 1956. Copyright: Getty Images


Five hundred years of spectacles, from classic to outrageous. Courtesy TASCHEN
You wait all year for an eyewear book and then two come along at once. New York eyewear designer Moss Lipow's Eyewear: A Visual History, at 360 pages, is a bigger book than Cult Eyewear, reviewed here last month. It's a very different hardback, but equally compelling.

Eyewear is for flicking through. Each page is marvellously illustrated with carefully photographed life-size frames, most of which come from Lipow's own collection. As well as this array of stills, he has sourced amazing pictures such as this one above (1956) from old magazines, catalogues, advertising and films.

Lipow begins in the first chapter - pre-1900 - at the very beginnings of glasses, charting the history of the early optical devices. There are lorgnettes, optical fans, scissor spectacles, pince-nez and monocles, but it's the second chapter on 1900-1945 in which you really begin to appreciate the extent of his glasses collection.

I was intrigued by the story linking sunglasses and billiard balls, and the detail provided around some early cat's eye designs and driving glasses is enlightening. Eyewear is providing Eye Wear Glasses with some much need early eyewear education! Brands to be found in this chapter include Shuron, American Optical, Bachman Bros and Montgomery Ward and some Bausch & Lomb aviators from the 1940s. There's even a pair of 1920s protective glasses from the Soviet Union.

The middle section covers the post-war sunglass boom, between 1945 and 1960. Find out here how the demise of ornamental hair combs is linked to eyewear manufacture. And it's from here on in that the book becomes an absolute joy with page after glorious page of amazing eyewear designs. The chapter on the 1960s is superb, with a focus on op-art, featuring contributions from Silhouette, Pierre Cardin, Spec-Trim, Renauld, Ray-Ban, Paulette Guinet, Oliver Goldsmith, Pierre Marly, Oleg Cassini (below) and American Optical (next down).

Continues below...


Five hundred years of spectacles, from classic to outrageous. Courtesy TASCHEN

Above: Shutter sunglasses by Alain Mikli. Above those: are Italian metal sunglasses from Maga Design. And the big blue ones above those are Futura sunglasses from Silhouette. These final three feature in the final chapter, The Age of the Licensed Brand which features yet more amazing styles from Christian Dior, Bollé, Cazal, Moschino by Persol, and some astonishing Jean-Paul Gualtier sunglasses by Murai of Japan.

I particularly like the inclusion of Taiwan or Korea-made sunglasses alongside the Western brands, and Lipow describes the ramifications of Asian-made eyewear on the West's eyewear industries; he even features a Taiwanese "knockoff" of Alain Mikli's famous 'Picasso' 030 frame, directly opposite the genuine spectacle.

Moss Lipow's book is a eyewear design treasure trove, providing exactly the visual history its title promises. It's eyewear eye-candy, at times you don't know where to look! His writing is entertaining and informative and includes numerous little-known gems. But this book is first and foremost about the images, approximately 1,200 of them and every one is presented at a scale such that you can spot wonderful detail. Well worth investing in!

Hover over images for photo credits.

Eyewear - A Visual History - German, English and French edition. Copyright: TASCHEN. The sunglasses featured are Sunspec, Sol-Amor, France, late 1950s

Eyewear: A Visual History by Moss Lipow.
Published by Taschen. UK £34.99, US $59.99, €39.99. 360pp. English/German/French.
ISBN 978-3-8365-2565-7

Also available in Italian/Portuguese/Spanish.
€39.99. ISBN 978-3-8365-2780-4

Buy your copy here:
UK | USA | Deutschland 
España | France | Italia

Thursday, 20 October 2011

Cult Eyewear: The World’s Enduring Classics - must-have glasses book


In the 1950s Oliver Goldsmith was one of the first brands to appear regularly in the women's fashion magazines. Picture: Oliver Goldsmith
Few books are written about glasses so when I heard about Neil Handley’s book’s imminent publication via a number of highly respected eyewear designers, all of whom had been consulted in its creation, I knew it must be good.

Disappoint, it does not.

Cult Eyewear is a coffee table tome worth its place in any home.

Eyewear enthusiast or not, anyone with an eye for design or fashion will struggle not to enjoy every carefully illustrated page.

The 1973 Mary Quant 03 model. Photo: The College of Optometrists/Elliott Franks, courtesy of Arckiv
Any book that tries to describe a cult in any manner, be it film, music, or in this case eyewear, will have its work cut out. 'Cult' can be tricky to define. As time passes, one person’s cult can become another’s mainstream.

Robert La Roche 349, circa 1985. Photo: Robert La RocheA few brands, in my opinion, are conspicuous by their absence; and others, on first glance, by their presence. But in his defence, Handley acknowledges that it is an “inevitably somewhat personal selection from the myriad of designer fashion brands...”

He justifies every brand’s inclusion and, as curator of the British Optical Association Museum, the depth of knowledge being shared is always apparent.
Cazal 163 from 1985. Photo: Op Couture Brillen / Cazal
ic! berlin Adlerbrille 9615 from 2007. Photo: ic! Berlin Brillen






Amusingly, he begins by pointing out that this book “not so long ago, would have annoyed many opticians”. He immediately differentiates Cult Eyewear from any book on the history of vision correction, and makes it clear that this book is a celebration of the aesthetic.

Mykita Emmanuelle from 2010, photographed by Mark Borthwick. Photo: Mykita.
The introduction gives an enlightening history of eyewear style, all the way back to the “Nuremberg Masterpiece” from 1663, by Melchior Schelke, “designed less for wear than to demonstrate his prowess”, through numerous brands such as Metzler, Tura in the 1960s and 1970s, to frames by Swatch in1993, Alyson Magee in 2007, right up to Silhouette’s virtual mirror app on an iPhone.

These first 10 pages end perhaps a little too fast but what follows is the book's core, with 31 chapters each focusing on an eyewear brand– or family of brands – with cult status. And the selection is magnificent. It includes names I was unaware of, but will now actively seek out. And while it included a few stories I am familiar with – at CW Dixey & Son, Oliver Goldsmith andmore recently Mykita – frequently Handley has unearthed additional intriguing detail.

These chapters are occasionally interspersed with features on famous glasses wearers (Elton John, John Lennon, Elvis Presley), films and books that include eyewear (American Psycho, Blues Brothers, Easy Rider) and opticians who have pioneered the “cosmetic effect of eyewear”.

A spread on Silhouette
A spread on l.a. EyeworksHandley has clearly researched his material well and most people will learn a great deal (I particularly liked the glossary!).

Anecdotal gems are scattered throughout. There’s Udo Proksch, a designer for Viennaline, Serge Kirchhofer, Optyl and ChristianDior, who attempted an insurance fraud worth 31 million Swiss francs.

There’s the fact the designers behind Dame Edna Everage’s bespoke handmade frames ,would inscribe the inside temple with the line “A hand job by Anglo American”.

There’s the tale of the founders of ic! berlin, before they’d established the company, being caught “illegally” selling on a staircase at Mido, the major trade fair in Milan, and fleeing to the exhibition stand of Robert La Roche. Many more such yarns are dotted among the pages.

The breadth of information is terrific and each time I dip into another chapter, I find out something else. But it is the pictures that steal the show. There's a tonne of great images, a mere handful of which I've been kindly allowed to feature here (hover over pictures for captions).

Cult Eyewear is spectacular in every sense, and it will no doubt help me improve Eye Wear Glasses over the coming years. So when I meet you Mr Handley, I think I must owe you a pint!


Cult Eyewear: The World's Enduring Classics by Neil Handley
Published by Merrell. UK £29:95, US $49:95, 192pp.
English ISBN: 9781858945095

Also available in French:
Lunettes cultes : Les classiques intemporels
EUR49.00 ISBN: 9782884531696

Buy your copy: UK | USA | France | Deutschland | España | Italia


The following is a list of the brands to be profiled in detail. But many other names are featured too alongside these: CW Dixey & Son, American Optical, Anglo American, Cartier, Kirk Brothers, Kirk Originals, Persol, Oliver Goldsmith, Algha, Mary Quant, Savile Row, Ray-Ban, Pierre Marly, Carrera, Porsche Design, Michael Birch, Viennaline, Serge Kirchhofer, Vuarnet, Neostyle, Silhouette, Christian Dior, Cutler and Gross, Lafont, Robert La Roche, Cazal, Alain Mikli, l.a. Eyeworks, Police, Theo, JF Rey, ic! Berlin, Mykita, TD Tom Davies and RVS by V.

All pictures are credited - hover over images to see credits.

RVS by V glassses from 2008